Today marks the second newsprint since the death of Michael Jackson, yet newspapers transcending continents from Jamaica to Japan, Chile to New Zealand and Israel still display news of Michael Jackson’s death all over the front pages. The American pop sensation’s popularity exemplifies yet another aspect of the dominance of US media product around the world. US cultural imperialism is an undeniable fact in the world that we live in. From the music that we listen, to the movies and series that we watch, America is the leading supplier to the rest of the world. A theme related to globalization, the US is a major force in the media industry.
The US is the biggest exporter of TV programmes and movies for consumption throughout the world. How many of the prime time shows on our local English terrestrial channels originate from the US? And look at the programmes on offer on our Starhub cable service; predominantly the programmes aired are made in the USA. So how does that translate into cultural imperialism in our local context? We all agree that through consumption of the media, people are socialized in a certain way. Along with the exportation of their media, inevitably they are also exporting their culture. Through images and the continued reoccurrence of subject matter in the various programmes audience are presented with the ideologies and lifestyles which are prevalent in the US society. It is somehow a subtle indoctrination that ultimately shapes the society. Although in Singapore we have not fully embraces the culture of the Americans, but it is noticeable how we mimic certain traits of the US culture.
Going back to the music industry, look at how we bought rights to stage our own version of the highly successful talent show American Idol. I remembered an article in the local newspaper relates how before staging Singapore Idol, we had a similar talent show called Talent Time, (remember Triple Noize and Cherry Chocolate Candy) though we had incorporated the same format of SMS votes and what not, it failed to take off as Singapore Idol did. Quite a few years ago we similarly produced our version of Wheel of Fortune a highly popular game show originating from the US staring Eunice Olsen. Another interesting programme would be the local Gotcha series which was revived from the depths to mimic the popular US series, MTV’s Punk’d. These examples highlight the popularity of US productions in Singapore that the local producers try to produce a local version of popular shows in the US.





do people become such eager fans?



